NEW RELEASE, September 2020

Jennifer K. Sweeney is the author of four books of poetry, most recently Foxlogic, Fireweed, winner of the Backwaters Prize from Backwaters Press/University of Nebraska. Her other collections are Little Spells (New Issues Press, 2015), How to Live on Bread and Music (Perugia Press), and Salt Memory (Main Street Rag). She is the recipient of many awards, including the James Laughlin Award from the Academy of American Poets, the Perugia Press Prize, and a Pushcart Prize.  She teaches poetry workshops at the University of Redlands in California, and is known for a decade-long practice of private instruction and manuscript critique.

Foxlogic, Fireweed is a torn map of a state where all words are proximate to mystery. Venturing into terra incognita, into territory that might be anima mundi, maybe, reader, you think you know the lineaments, but they are altered. Altared. Yes, to dream space, but wilder, wider—this metal into bird, stone into air, mother into vulpine. Sweeney is breathing strangeness into a small body of words, and the expanses open exponentially.”—Marsha de la O

“The logic of Foxlogic, Fireweed is human and humane; it’s the logic of a penetrative tenderness and an embodiment always on the verge of dispersing into fox, or deer, or rain. . . . These are not bandwagon poems. They don’t mug for the camera. Rather, they enact a love ‘sourced in loneliness’ where ‘with our little keys of witness’ we find each other—the very definition of the lyric poem.”—Diane Seuss

“In Jennifer K. Sweeney’s beautiful new collection, poems serve as altars for the fierce hearts and fairytales that center our lives. . . . These poems recognize how sacred attention can be. In Foxlogic, Fireweed nothing escapes hiding and nothing escapes love.”—Traci Brimhall

“The poems in Jennifer K. Sweeney’s Foxlogic, Fireweed do the hard work of ‘remaining in the perhaps.’ Sweeney walks the many fine lines between introspection and observation, speaking plainly and singing. She finds moments of awe in the everyday, urging us to ‘keep afraid what is fearful, hold what demands to be held.’”—Grace Bauer

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